Notes on the Adidam Mission poster: TheBeezone length: 07:55 date added: September 18, 2012 event date: 2004 language: English views: 3763; views this month: 5; views this week: 5
In 2004, Adi Da Samraj talks to devotee Peter Harvey-Wright about using the Devotional Prayer of Changes to serve the Adidam Mission. He distinguishes conventional "neurotic prayer" (in which a person relates to God like a big "Parent") from the Prayer of Changes, which requires not just visualization but a change in action. As part of that change in action, He mentions the "barefoot Mission" (a phrase meant to emphasize the one-on-one nature of a truly effective Mission). He also stresses the importance of an authentic culture of Adidam as essential for attracting new devotees.
Avatar Adi Da describes the three options of human destiny: one can reinforce one's present existence in gross (physical) form; one can go beyond gross existence into subtler dimensions of existence; or one can transcend conditional existence altogether, in the Great Process of seventh stage Divine Self-Realization. He suggests that most people (and most devotees) are opting (generally unconsciously) for the first (and lowest) option.
For those who discover the heart-impulse to the Great Process, Avatar Adi Da offers Graceful Means — but, He clarifies, a most intensive ego-transcending process will be required of such devotees, a constant relinquishment of identification with the separate self.
Adi Da talks about the listening process, and the use of various means for self-reflection (the Teaching, the disciplines, reflection by others), so that the listening process can culminate in hearing or fundamental self-understanding (and the transition to level 1.3 of the Way of Adidam).
Note: In this clip, Adi Da refers to the practice of self-inquiry, which is no longer a part of the practice of Adidam.
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Darshan of Adi Da Samraj poster: JensenBellin length: 04:32 date added: July 20, 2012 language: English views: 6956; views this month: 8; views this week: 8
Darshan of Adi Da.
[Note: At the end of the video, the viewer is directed to a site, karmafree.com — this site no longer exists.]
poster: Daplastique length: 08:22 date added: July 19, 2012 event date: August 2008 language: English views: 3520; views this month: 5; views this week: 5
The opening reception for the Transcendental Realism exhibit of Adi Da's Image-Art at the LA Contemporary Gallery in August, 2008.
Opens with an interview with art critic Peter Frank.
poster: Daplastique length: 11:05 date added: July 19, 2012 event date: August 2008 language: English views: 2637; views this month: 3; views this week: 3
The opening reception for the Transcendental Realism exhibit of Adi Da's Image-Art at the LA Contemporary Gallery in August, 2008.
poster: AdiDaUpClose speaker: Steve Alexander length: 14:15 date added: July 8, 2012 language: English views: 4214; views this month: 6; views this week: 6
Steve Alexander describes his experiences of Huichol shamanism (while in his twenties), and his aspiration to become a shaman. Then, while on a Huichol pilgrimage in Mexico, "everything that could possible go wrong, did". For a "suburban kid from Los Angeles" it was like "trying to put on someone else's shoe".
Steve returned to focus on his university education in fine art. All the while, an awareness of a Divine Presence in his heart was growing. He describes how he cultivated his relationship with that Presence, even as he became increasingly aware of his own egoity and the ways it would tend to shut down that Presence.
Steve describes how his formal relinquishment of Huichol shamanism opened the door to the intensification of that Presence, and ultimately, to his devotional relationship with the human form of that Presence: Adi Da.
poster: AdiDaUpClose speaker: Steve Alexander length: 13:17 date added: July 8, 2012 language: English views: 4430; views this month: 8; views this week: 8
Steve Alexander describes his experiences of Huichol shamanism (while in his twenties), and his aspiration to become a shaman. Then, while on a Huichol pilgrimage in Mexico, "everything that could possible go wrong, did". For a "suburban kid from Los Angeles" it was like "trying to put on someone else's shoe".
Steve returned to focus on his university education in fine art. All the while, an awareness of a Divine Presence in his heart was growing. He describes how he cultivated his relationship with that Presence, even as he became increasingly aware of his own egoity and the ways it would tend to shut down that Presence.
Steve describes how his formal relinquishment of Huichol shamanism opened the door to the intensification of that Presence, and ultimately, to his devotional relationship with the human form of that Presence: Adi Da.
Orpheus in the Modern World poster: CoaguLAradio length: 60:00 date added: July 4, 2012 event date: October 5, 2011 language: English listens: 6154; listens this month: 9; listens this week: 9
Art Panel: Orpheus in the Modern World (October 5, 2011) — The later work and aesthetic philosophy of Adi Da Samraj was the subject of discussion between Los Angeles art writers and those close with the late artist and spiritual teacher. (This is a recording of first hour of the hour and 15 minutes panel.)
Recorded by CoaguLAradio, as Episode 25 ("Aesthetic Ecstasy") of their "Beer & Tall Buildings" series.
This Art Panel was part of the exhibit, "Orpheus and Linead: Solo Exhibition" at the Sundaram Tagore Gallery in Beverly Hills (September 8 - October 8, 2011).
poster: SusanaWeingarten length: 10:01 date added: July 1, 2012 language: English views: 3183; views this month: 4; views this week: 4
A dance that creatively develops the meaning of Satsang. Dedicated to Adi Da.
Choreographers/Dancers: Susana Weingarten and Tom Evert Music: Phillip Glass and Ravi Shankar Voiceover: Adi Da Costume Design: Janet Bolick "Midnight Sun" Set Design: Molly Watson
poster: SusanaWeingarten length: 10:54 date added: July 1, 2012 language: English views: 3932; views this month: 7; views this week: 7
"Ego Act" is a dance based on Adi Da's wisdom about the nature of egoity, or, Adi Da describes it, "the fundamental activity of self-contraction, or the presumption of separate and separative existence".
Choreographer/Dancer: Tom Evert Music: George Crumb (as interpreted by The Kronos Quartet) Costume Design: Raymond Zander III Props: Tom Evert "Midnight Sun" Set Design: Molly Watson
poster: DawnHorsePress length: 05:49 date added: June 23, 2012 event date: June 20, 1972 language: English listens: 4977; listens this month: 2; listens this week: 2
An excerpt from "The Avon Lady", a humorous and penetrating Discourse from the very earliest years of Avatar Adi Da’s Teaching-Work. Adi Da explains how there is no search and no dilemma when one is in Satsang (the company of the Guru).
There Is No "I" Sitting Here poster: frank marrero length: 06:58 date added: June 17, 2012 event date: July 7, 2005 language: English views: 2102; views this month: 2; views this week: 2
Adi Da talks about His State of Realization - in particular, the total freedom from any thought or "I" associated with His body.
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